Despite being featured by Fiona Talkington on Radio 3's Late Junction nearly four years ago he remains a bafflingly word-of-mouth proposition.
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For a brief spell in the '70s, it was still possible to explore multiple genres without fear of losing or confusing an audience yet to be hung up on styles and fashion.
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Fitting for an album that documents a perhaps unwilling crawl to maturity, the Baton Rouge rapper's second solo record succeeds when it sticks to the specific, discrete, and (relatively) adult.
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Guitar maestro James Blackshaw curates this collection of solo works for various string instruments, including contributions from cellist Helena Espvall of Espers and Japanese koto expert Chieko Mori.
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Like Belle and Sebastian or Sufjan Stevens, this Chicago band is known more for great arrangements and delicate lyricism than a visceral pull.
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