After a stellar debut and a lackluster follow-up, British Sea Power prep us for their third album with this EP-- the first recording to capture the anarchic joy of the band's live performances.
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Black Mountain mainman Steve McBean here finds more room for the rest of the band's burgeoning personalities, and the resulting record raises the stakes of the debut considerably, leaving the band's musical talents to play catchup with their new material's epic-sized dimensions.
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Despite being featured by Fiona Talkington on Radio 3's Late Junction nearly four years ago he remains a bafflingly word-of-mouth proposition.
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For a brief spell in the '70s, it was still possible to explore multiple genres without fear of losing or confusing an audience yet to be hung up on styles and fashion.
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Fitting for an album that documents a perhaps unwilling crawl to maturity, the Baton Rouge rapper's second solo record succeeds when it sticks to the specific, discrete, and (relatively) adult.
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Guitar maestro James Blackshaw curates this collection of solo works for various string instruments, including contributions from cellist Helena Espvall of Espers and Japanese koto expert Chieko Mori.
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