A hall of mirrors, warping reflections of Ella Fitzgerald, two-tone ska, dark psychedelia and Pentangle's 'acid folk' into unsettling shapes
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The brainchild of Philadelphia native Annie Sachs, Tickley Feather creates scratchy bedroom probings that slot nicely next to fellow Paw Tracks alum Ariel Pink, yet she's not nearly as musically dynamic or engaging as the kingpins of her loose coterie, Animal Collective.
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On her debut album, Dommisse sounds like a fanciful bard in the Joanna Newsom mold, an electric cello player singing narrative set pieces about twin girls telling ghost stories; but something dark and serrated is hidden among all those would-be costume folds.
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A sampler of music recorded at Chris Blackwell's studio in the Bahamas, this record is also a symposium on the polyglot tendencies that made the dance underground of the first half of the 1980s so unpredictably rich in ideas.
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On her debut record, Santogold enlists an all-star team of producers for this inconsistent (if occasionally stunning) blend of dub, new wave, and hip-hop.
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Songs on Nathan Akin's one-man band debut-- ranging from exhausted folk strummers to an Elliott Smith knock-off to what sounds like an Animal Collective 7amp;quot; played at 78-- center around themes of childhood.
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The cult band's best-known album, 1990's Torch of the Mystics, was originally intended to be a double; outtakes recorded during the sessions, eventually released on 7amp;quot;s, are gathered together in this fine set.
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The third part of a musical trilogy, Futurismo reunites collaborators Moreno Veloso, Alexandre Kassin, and Domenico Lancelotti in yet another permutation, this time with Kassin as leader.
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